James
Fei's mini CD contains two short conceptual pieces. In the first,
he explores the effect of contact miking a sax with a paper
card reed and sending the signal to a gated fuzzbox and amplifier,
producing break ups and crunches not unlike those that thrill
fans of extreme rock. In the second, he sings and plays "Camptown
Races" into a bass sax, exploring the harmonic interference
effects of the two sound sources... In a world of cosy distractions,
something clean and hard and necessary. Ben Watson
The Wire
|
(Fei
is) attracted to the classical avant garde, and although an improviser
his pieces often involve a conceptual compositional element. This
mini-CD offers twelve minutes of truly intriguing music from a
relentless experimenter. The main piece inserts a cardboard reed
into the sax and amplifies it, resulting in a ten-minute evolution
from tiny, semi-random clicks into a wall of feedback. Truly inventive
stuff. Let's hope Fei records more often. --Richard Cochrane
Musings |
"Any
saxophone player who creates his own reeds out of cardboard is
inviting problems. Mr. Fei does not make it easy, but he has my
attention straight away...James Fei is using the John Cage premise
of chance within an imposed sound set-up. "for card reed and gated
amplification" is a blossoming act of self-sabotage. The experiment
is deliberate but the actaul result is gradually going out of
control, until of course it is switched off. Mr. Fei allows low-fi
electronics to interrupt the flow of the sax mutation to the extent
that feedback deliberately pricks the soundscape at peak points,
eventually splitting the whole thing open with white noise. It
feels like a meditation that has jammed. I believe this really
is new music. It becomes possible to hear rhythm within a reed
and an uncertain source-pot of electrics...I find this exciting.
This limited edition mini-CD is just two experiments. There will
be others. My own view is that such work is important, and if
it takes James Fei forward then it is worth going with him. I
seriously like what I hear." --Steve Day Avant
|
|
|
JAMES
FEI
for card reed and gated amplification
[Organized
Sound Recordings 1]
In for saxophone with card reed and gated amplification a paper
card reed is used in place of the usual cane. The paper's slow periodicity
no longer produces a continuous tone, but rather a series of clicks,
emphasising the discrete aspects of sound production. These intermittent
pulses are contact mic'd and fed into a gated fuzz box and amplifier.
Throughout the duration of the performance, the gate is gradually
shifted from completely closed to openfirst resulting in occasional
bursts when levels of the instrument barely peak above the threshold
and eventually ending in continuous feedback. The gated fuzz box is
built from a Craig Anderton circuit (thanks, Craig).
In
Camptown Races I, the melody of the Stephen Foster tune is
sung into the bass saxophone, exciting shifting overtones of the constant
low C as the melody progresses.]
MP3:
Camptown
Races I (for
bass saxophone and voice)
3" CD edition of 125 out-of-print. Download available at: organizedsoundrecordings.bandcamp.com
|